![]() I must not have enough excitement on my face because now Khaled, wearing a Terrell Jones custom ensemble comprised of a zebra-striped, silk-print button-up shirt beneath a black suit jacket, is stepping off of his mark and walking over to me. Dre on his collaborator bucket list, and now he’s crossed both off with one track. Khaled is smoking a blunt and blasting his thirteenth album, God Did, for me we’re one week away from its release, which means I’m among the first people outside of his inner circle to hear “Use This Gospel,” a last-minute addition to the album with an all-star lineup: Kanye West and Eminem, over production by Dr. It makes me feel like nothing could be more crucial than returning his gaze. ![]() I’m in a photo studio and, from the other side of the camera, DJ Khaled has just whipped his Prada shades off, and is staring directly into my eyes as if we’re two outlaws in a Wild West saloon. Maybe it’s a post-Covid-isolation thing? Whatever the cause, this weakness has never been more challenging to me than on a recent, predictably hot and humid mid-August afternoon in the Little Haiti neighborhood of Miami. ![]() I’ve been struggling with making direct eye contact lately.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |